REPRESENTASI KORBAN KEKERASAN SEKSUAL DALAM FILM 27 STEPS OF MAY (ANALISIS KODE TELEVISI JOHN FISKE)

Olivia Simanjuntak, . (2026) REPRESENTASI KORBAN KEKERASAN SEKSUAL DALAM FILM 27 STEPS OF MAY (ANALISIS KODE TELEVISI JOHN FISKE). Skripsi thesis, Universitas Pembangunan Nasional Veteran Jakarta.

[img] Text
ABSTRAK.pdf

Download (255kB)
[img] Text
AWAL.pdf

Download (791kB)
[img] Text
BAB I.pdf
Restricted to Repository UPNVJ Only

Download (442kB)
[img] Text
BAB II.pdf
Restricted to Repository UPNVJ Only

Download (422kB)
[img] Text
BAB III.pdf
Restricted to Repository UPNVJ Only

Download (449kB)
[img] Text
BAB IV.pdf
Restricted to Repository UPNVJ Only

Download (921kB)
[img] Text
BAB V.pdf

Download (315kB)
[img] Text
DAFTAR PUSTAKA.pdf

Download (319kB)
[img] Text
RIWAYAT HIDUP.pdf
Restricted to Repository staff only

Download (116kB)
[img] Text
LAMPIRAN.pdf
Restricted to Repository UPNVJ Only

Download (620kB)
[img] Text
HASIL PLAGIARISME.pdf
Restricted to Repository staff only

Download (16MB)
[img] Text
ARTIKEL KI.pdf
Restricted to Repository staff only

Download (501kB)

Abstract

Film functions as a medium of representation that constructs meanings about social realities, including sexual violence. One Indonesian film addressing this issue is 27 Steps of May, directed by Ravi Bharwani, focusing on the life of a sexual violence survivor living with long-term trauma. This study aims to analyze the representation of sexual violence survivors in 27 Steps of May using John Fiske's Codes of Television, examining three levels of analysis: reality, representation, and ideology. This research employs a constructivist paradigm with a qualitative approach. Data were collected through observation of selected scenes representing the survivor's experiences and documentation. The findings reveal that the film represents survivors of sexual violence as individuals experiencing prolonged psychological trauma affecting their behavior, interpersonal relationships, communication, and recovery process. This representation is constructed through social codes, including facial expressions, gestures, actions, appearance, and setting, and reinforced by cinematic language through visual composition, lighting, camera shots, camera movements, color palette, and minimal use of dialogue and background music. The study also finds that the film continues to reproduce patriarchal ideology by portraying sexual violence as the victim's private burden while positioning male characters as central figures in the survivor's recovery process.

Item Type: Thesis (Skripsi)
Additional Information: [No. Panggil: 2210411132] [Pembimbing: Nuril Ashivah Misbah] [Penguji 1: Dewanto Samodro] [Penguji 2: Dede Suprayitno]
Uncontrolled Keywords: Representation, Sexual Violence Survivor, Film, 27 Steps of May, Codes of Television by John Fiske
Subjects: H Social Sciences > H Social Sciences (General)
H Social Sciences > HM Sociology
H Social Sciences > HN Social history and conditions. Social problems. Social reform
H Social Sciences > HT Communities. Classes. Races
Divisions: Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1)
Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1)
Depositing User: OLIVIA SIMANJUNTAK
Date Deposited: 31 Aug 2026 07:18
Last Modified: 31 Aug 2026 07:18
URI: http://repository.upnvj.ac.id/id/eprint/53600

Actions (login required)

View Item View Item