Fanisa Maghfira, . (2024) REPRESENTASI MASKULINITAS PEREMPUAN DALAM SERIAL DRAMA KOREA “QUEENMAKER”. Skripsi thesis, Universitas Pembangunan Nasional Veteran Jakarta.
Text
ABSTRAK.pdf Download (14kB) |
|
Text
AWAL.pdf Download (512kB) |
|
Text
BAB 1.pdf Restricted to Repository UPNVJ Only Download (470kB) |
|
Text
BAB 2.pdf Restricted to Repository UPNVJ Only Download (322kB) |
|
Text
BAB 3.pdf Restricted to Repository UPNVJ Only Download (415kB) |
|
Text
BAB 4.pdf Restricted to Repository UPNVJ Only Download (2MB) |
|
Text
BAB 5.pdf Download (116kB) |
|
Text
DAFTAR PUSTAKA.pdf Download (344kB) |
|
Text
RIWAYAT HIDUP.pdf Restricted to Repository UPNVJ Only Download (19kB) |
|
Text
LAMPIRAN.pdf Restricted to Repository UPNVJ Only Download (645kB) |
|
Text
HASIL PLAGIARISME.pdf Restricted to Repository staff only Download (2MB) |
|
Text
ARTIKEL KI.pdf Restricted to Repository staff only Download (211kB) |
Abstract
This research explores how female masculinity is represented in the Korean drama series "Queenmaker" using Peter Lehmann's concept of female masculinity. The method employed is John Fiske's semiotics, analyzing three levels: reality, representation, and ideology. This study uses a qualitative approach, a constructivist paradigm, and John Fiske's semiotic analysis method, which includes television codes to identify scenes that contain Peter Lehmann's concept of Female Masculinity, supported by journals and articles reviewed by the researcher. The results of this study indicate that the eleven scenes selected from the Korean drama series "Queenmaker" by the researcher have meaning and significance, representing female masculinity in the lives of Hwang Do Hee and Oh Kyung Sook according to the ideology of masculinity by Deborah David and Robert Brannon, and Peter Lehmann's concept of female masculinity. This is reflected in John Fiske's three levels of semiotics: reality, representation, and ideology. All the scenes portray reality, with the characters Oh Kyung Sook and Hwang Do Hee presenting a masculine appearance, wearing dark-colored clothing, and engaging in conversations emphasizing their power to influence, dominate, assist, and lead. The representational meaning strongly depicts Oh Kyung Sook and Hwang Do Hee as brave characters capable of showing superiority and willing to sacrifice for the greater good. The ideological meaning reflected in all the scenes aligns with Deborah David and Robert Brannon's masculinity ideology: "Be a Big Wheel," "Give Em Hell," "Be a Sturdy Oak," and "Give Em Hell."
Item Type: | Thesis (Skripsi) |
---|---|
Additional Information: | [No. Panggil : 1910411082] [Pembimbing : Puri Bestari Mardani] [Penguji 1 : Aan Setiadarma] [Penguji 2 : Ratu Nadya Wahyuningratna] |
Uncontrolled Keywords: | Female Masculinity, Representation, Semiotics, John Fiske's Semiotics. |
Subjects: | H Social Sciences > H Social Sciences (General) H Social Sciences > HE Transportation and Communications |
Divisions: | Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) |
Depositing User: | FANISA MAGHFIRA |
Date Deposited: | 04 Oct 2024 06:47 |
Last Modified: | 04 Oct 2024 06:47 |
URI: | http://repository.upnvj.ac.id/id/eprint/33554 |
Actions (login required)
View Item |