Olivia Simanjuntak, . (2026) REPRESENTASI KORBAN KEKERASAN SEKSUAL DALAM FILM 27 STEPS OF MAY (ANALISIS KODE TELEVISI JOHN FISKE). Skripsi thesis, Universitas Pembangunan Nasional Veteran Jakarta.
|
Text
ABSTRAK.pdf Download (255kB) |
|
|
Text
AWAL.pdf Download (791kB) |
|
|
Text
BAB I.pdf Restricted to Repository UPNVJ Only Download (442kB) |
|
|
Text
BAB II.pdf Restricted to Repository UPNVJ Only Download (422kB) |
|
|
Text
BAB III.pdf Restricted to Repository UPNVJ Only Download (449kB) |
|
|
Text
BAB IV.pdf Restricted to Repository UPNVJ Only Download (921kB) |
|
|
Text
BAB V.pdf Download (315kB) |
|
|
Text
DAFTAR PUSTAKA.pdf Download (319kB) |
|
|
Text
RIWAYAT HIDUP.pdf Restricted to Repository staff only Download (116kB) |
|
|
Text
LAMPIRAN.pdf Restricted to Repository UPNVJ Only Download (620kB) |
|
|
Text
HASIL PLAGIARISME.pdf Restricted to Repository staff only Download (16MB) |
|
|
Text
ARTIKEL KI.pdf Restricted to Repository staff only Download (501kB) |
Abstract
Film functions as a medium of representation that constructs meanings about social realities, including sexual violence. One Indonesian film addressing this issue is 27 Steps of May, directed by Ravi Bharwani, focusing on the life of a sexual violence survivor living with long-term trauma. This study aims to analyze the representation of sexual violence survivors in 27 Steps of May using John Fiske's Codes of Television, examining three levels of analysis: reality, representation, and ideology. This research employs a constructivist paradigm with a qualitative approach. Data were collected through observation of selected scenes representing the survivor's experiences and documentation. The findings reveal that the film represents survivors of sexual violence as individuals experiencing prolonged psychological trauma affecting their behavior, interpersonal relationships, communication, and recovery process. This representation is constructed through social codes, including facial expressions, gestures, actions, appearance, and setting, and reinforced by cinematic language through visual composition, lighting, camera shots, camera movements, color palette, and minimal use of dialogue and background music. The study also finds that the film continues to reproduce patriarchal ideology by portraying sexual violence as the victim's private burden while positioning male characters as central figures in the survivor's recovery process.
| Item Type: | Thesis (Skripsi) |
|---|---|
| Additional Information: | [No. Panggil: 2210411132] [Pembimbing: Nuril Ashivah Misbah] [Penguji 1: Dewanto Samodro] [Penguji 2: Dede Suprayitno] |
| Uncontrolled Keywords: | Representation, Sexual Violence Survivor, Film, 27 Steps of May, Codes of Television by John Fiske |
| Subjects: | H Social Sciences > H Social Sciences (General) H Social Sciences > HM Sociology H Social Sciences > HN Social history and conditions. Social problems. Social reform H Social Sciences > HT Communities. Classes. Races |
| Divisions: | Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) |
| Depositing User: | OLIVIA SIMANJUNTAK |
| Date Deposited: | 31 Aug 2026 07:18 |
| Last Modified: | 31 Aug 2026 07:18 |
| URI: | http://repository.upnvj.ac.id/id/eprint/53600 |
Actions (login required)
![]() |
View Item |
