Rehayl Muhammad Rashtrapatiji, . (2026) REPRESENTASI 5 STAGES OF GRIEF MENURUT KUBLER-ROSS DAN KESSLER DALAM MV “SEMUA AKU DIRAYAKAN’ (ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE). Skripsi thesis, Universitas Pembangunan Nasional Veteran Jakarta.
![[img]](http://repository.upnvj.ac.id/style/images/fileicons/text.png) |
Text
ABSTRAK.pdf Download (1MB) |
|
Text
AWAL.pdf Download (6MB) |
|
Text
BAB 1.pdf Restricted to Repository UPNVJ Only Download (6MB) |
|
Text
BAB 2.pdf Restricted to Repository UPNVJ Only Download (7MB) |
|
Text
BAB 3.pdf Restricted to Repository UPNVJ Only Download (12MB) |
|
Text
BAB 4.pdf Restricted to Repository UPNVJ Only Download (25MB) |
|
Text
BAB 5.pdf Download (1MB) |
|
Text
DAFTAR PUSTAKA.pdf Download (2MB) |
|
Text
RIWAYAT HIDUP.pdf Restricted to Repository staff only Download (836kB) |
|
Text
HASIL PLAGIARISME.pdf Restricted to Repository staff only Download (20MB) |
|
Text
ARTIKEL.pdf Restricted to Repository UPNVJ Only Download (3MB) |
Abstract
Mental health issues have currently become a primary concern among the Indonesian public, with rising cases of stress and clinical depression often rooted in the accumulation of negative emotions and unaddressed deep grief. This study aims to analyze the representation of this emotional grieving process within a pop culture product, specifically the music video (MV) Semua Aku Dirayakan by Nadin Amizah on the YouTube platform. The theoretical approach integrates the Five Stages of Grief theory by Elisabeth Kübler-Ross and David Kessler (2005), encompassing denial, anger, bargaining, depression, and acceptance, with Stuart Hall’s constructionist approach regarding the production of meaning through representation systems. This study employs a descriptive qualitative research method utilizing Charles Sanders Peirce's semiotic model. The process of signification is deconstructed through the triadic relationship among representamen, object, and interpretant, as well as the sign trichotomy analysis which includes icons, indices, and symbols across the music video scenes. This study concludes that the MV serves as a cultural bridge utilizing the language of signs to produce the meaning of grief. Through unique visual and linguistic codes, this work successfully translates the subject's mental concepts into a symbolic reality that assists the audience in comprehending the depth of emotion surrounding a loss.
| Item Type: | Thesis (Skripsi) |
|---|---|
| Additional Information: | [No.Panggil: 2110411121] [Pembimbing: Putrawan Yuliandri] [Penguji 1: Ahmad Zakki Abdullah] [Penguji 2: Ratu Nadya W.] |
| Uncontrolled Keywords: | Mental Health, Stages of Grief, Peirce’s Semiotic |
| Subjects: | H Social Sciences > H Social Sciences (General) M Music and Books on Music > M Music M Music and Books on Music > ML Literature of music |
| Divisions: | Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) |
| Depositing User: | REHAYL MUHAMMAD RASHTRAPATIJI |
| Date Deposited: | 08 Sep 2026 07:53 |
| Last Modified: | 08 Sep 2026 07:53 |
| URI: | http://repository.upnvj.ac.id/id/eprint/53875 |
Actions (login required)
 |
View Item |