REPRESENTASI ASIMETRI KEKUASAAN DALAM KOMUNIKASI KELUARGA PADA LIRIK LAGU "TARUH" KARYA NADIN AMIZAH: Analisis Semiotika Roland Barthes

Safina Yasyifaa Hendra Putri, . (2026) REPRESENTASI ASIMETRI KEKUASAAN DALAM KOMUNIKASI KELUARGA PADA LIRIK LAGU "TARUH" KARYA NADIN AMIZAH: Analisis Semiotika Roland Barthes. Skripsi thesis, Universitas Pembangunan Nasional Veteran Jakarta.

[img] Text
ABSTRAK.pdf

Download (215kB)
[img] Text
AWAL.pdf

Download (1MB)
[img] Text
BAB 1.pdf
Restricted to Repository UPNVJ Only

Download (478kB)
[img] Text
BAB 2.pdf
Restricted to Repository UPNVJ Only

Download (453kB)
[img] Text
BAB 3.pdf
Restricted to Repository UPNVJ Only

Download (351kB)
[img] Text
BAB 4.pdf
Restricted to Repository UPNVJ Only

Download (488kB)
[img] Text
BAB 5.pdf

Download (324kB)
[img] Text
DAFTAR PUSTAKA.pdf

Download (294kB)
[img] Text
RIWAYAT HIDUP.pdf
Restricted to Repository staff only

Download (114kB)
[img] Text
LAMPIRAN.pdf
Restricted to Repository UPNVJ Only

Download (282kB)
[img] Text
HASIL PLAGIARISME.pdf
Restricted to Repository staff only

Download (22MB)
[img] Text
ARTIKEL KI.pdf
Restricted to Repository staff only

Download (297kB)

Abstract

Family communication inequality caused by parents controlling interaction patterns is often represented in popular music, yet rarely examined through sign analysis. This study describes the representation of power asymmetry in family communication through denotation, connotation, and myth in the lyrics of “Taruh” by Nadin Amizah, using a descriptive approach with Roland Barthes’s semiotics combined with Family Communication Patterns Theory (FCPT) at the connotative level, through its conversation and conformity orientation dimensions. The denotative analysis shows a one-way communication patterns, an emphasis on obedience, and verbal aggression between parent and child. FCPT reveals, at the connotative level, the characteristics of a protective family with low conversation orientation and high conformity orientation, which becomes the root of the character’s self-disclosure barrier. This representation shifts in the second phase, more accurately read as the character’s resistance to the asymmetrical pattern learned since childhood, marked by a shift toward a more open romantic relationship as the power relation pattern moves from one-spouse-dominant to syncratic. The lyrics represent two related myths at the mythical level, the normalization of parental domination as a form of affection in Indonesian family culture, and the belief that this naturalization can be resisted through individual awareness an openness.

Item Type: Thesis (Skripsi)
Additional Information: [No.Panggil: 2210411252] [Pembimbing: Ana Kuswanti] [Penguji 1: Firdaus Noor] [Penguji 2: Hermina Manihuruk]
Uncontrolled Keywords: family communication; Family Communication Patterns Theory; power asymmetry; representation; Roland Barthes semiotics
Subjects: H Social Sciences > H Social Sciences (General)
H Social Sciences > HE Transportation and Communications
H Social Sciences > HQ The family. Marriage. Woman
M Music and Books on Music > M Music
Divisions: Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1)
Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1)
Depositing User: SAFINA YASYIFAA HENDRA PUTRI
Date Deposited: 03 Sep 2026 03:04
Last Modified: 03 Sep 2026 03:04
URI: http://repository.upnvj.ac.id/id/eprint/53911

Actions (login required)

View Item View Item