REPRESENTASI HEDONISME DAN KEKERASAN DALAM FILM "THE MENU" (Analisis Semiotika Roland Barthes)

Nafia Marvelin, . (2024) REPRESENTASI HEDONISME DAN KEKERASAN DALAM FILM "THE MENU" (Analisis Semiotika Roland Barthes). Skripsi thesis, Universitas Pembangunan Nasional Veteran Jakarta.

[img] Text
ABSTRAK.pdf

Download (139kB)
[img] Text
AWAL.pdf

Download (990kB)
[img] Text
BAB I.pdf
Restricted to Repository UPNVJ Only

Download (252kB)
[img] Text
BAB II.pdf
Restricted to Repository UPNVJ Only

Download (187kB)
[img] Text
BAB III.pdf
Restricted to Repository UPNVJ Only

Download (541kB)
[img] Text
BAB IV.pdf
Restricted to Repository UPNVJ Only

Download (1MB)
[img] Text
BAB V.pdf

Download (101kB)
[img] Text
DAFTAR PUSTAKA.pdf

Download (202kB)
[img] Text
RIWAYAT HIDUP.pdf
Restricted to Repository UPNVJ Only

Download (18kB)
[img] Text
LAMPIRAN.pdf
Restricted to Repository UPNVJ Only

Download (984kB)
[img] Text
HASIL PLAGIARISME.pdf
Restricted to Repository staff only

Download (31MB)
[img] Text
ARTIKEL KI.pdf
Restricted to Repository staff only

Download (530kB)

Abstract

The purpose of this research is depicting a representation of hedonism and violence found in the movie “The Menu”, directed by Mark Mylod. This research data is analyzed using the semiotics analysis method by Roland Barthes which uses two-stages of significance models, denotation, connotation, and myth. The movie tells the story of a group of VIP guests who travel to a remote island to enjoy a meal at a luxury restaurant named Hawthorne, run by a celebrity chef, Julian Slowik. Unexpectedly, the dinner brought them shocking experience of tortures and abuses from Slowik and all Hawthorne employees. Apparently, the dinner is a part of Slowik’s revenge mission to the upper class guests who disrespect his artwork and contribute to the loss of Slowik’s passion as a chef. The approach used in this study is descriptive qualitative with data obtained through observations and documentation on the movie’s scenes. The result of this research prove that representations of hedonism and violence in the movie “The Menu” evidenced by the presence of signs of hedonism and violence contained in several scenes. The forms of hedonism found include a life that is oriented towards success and money, doing things only for the sake of prestige, having a high consumer behavior and belief that power can solve various problems, while the forms of violence found are physical / direct violence aimed at ending lives such as shooting, stabbing, cutting off body parts, drowning and burning people alive and verbal / emotional violence in the form of terror, threats and intimidation. Whether visualized in pictures or dialogues.

Item Type: Thesis (Skripsi)
Additional Information: [No. Panggil: 1810411282] [Pembimbing: Radita Gora Tayibnapis] [Penguji 1: Ratu Nadya W.] [Penguji 2: Windhiadi Yoga Sembada]
Uncontrolled Keywords: Hedonism, Violence, Representation, Roland Barthes Semiotics
Subjects: H Social Sciences > HN Social history and conditions. Social problems. Social reform
H Social Sciences > HT Communities. Classes. Races
Divisions: Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1)
Depositing User: Nafia Marvelin
Date Deposited: 05 Feb 2024 03:01
Last Modified: 13 Feb 2024 09:26
URI: http://repository.upnvj.ac.id/id/eprint/29378

Actions (login required)

View Item View Item