., Cheryl Arlintang Putri Shabilla (2026) ANALISIS SEMIOTIKA NILAI GENDER DALAM FILM A NORMAL WOMAN (2025): PENDEKATAN TEORI FEMINISME EKSISTENSIALIS SIMONE DE BEAUVOIR. Skripsi thesis, Universitas Pembangunan Nasional Veteran Jakarta.
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Abstract
A Normal Woman (Lucky Kuswandi, 2025) is the focus of this research which uses a qualitative descriptive method with media text analysis of Lucky Kuswandi's A Normal Woman (2025). Roland Barthes' Semiotic Theory, and Simone De Beauvoir's Feminist Theory are combined and used as lenses to explore the ways in which visual elements, dialogue, symbols and narrative patterns create meanings of femininity within Modern Patriarchal Culture. In addition to using both theories as lenses to explore the representations of women in A Normal Woman, this research used Barthes' signifier and signified as well as the stage level of Denotation, Connotation and Myth to analyze the ways in which film signs have multiple meanings that relate to each other and create an interconnected system of meaning. This research finds that A Normal Womanpresents a critical perspective of the ways patriarchy controls women bodies, emotions, and identities through the use of these mechanisms, stereotypes, subordination and objectification, where they are interconnected as a system of control that confines the main character in this film, in a state of immanence. At the same time, A Normal Woman shows the resistance through Milla's movement towards transcendence as she begins to reclaim her bodily autonomy, self awareness and existential agency back. Overall, A Normal Woman functions as a cultural critique that questions the dominant ideologies of what it means to be a normal woman, and the way in which gender is presented in this movie illustrates how gender is a social and ideologically constructed and therefore not a predetermined or by fate. Through combining Barthes' semiotics with Beauvoir's feminist theory, this research hopes to make a contribution to the fields of feminist film and communication studies. Specifically, this research demonstrates the potential for contemporary Indonesian Cinema to provide a site for ideological negotiation and the redefinition of women's existence.
| Item Type: | Thesis (Skripsi) |
|---|---|
| Additional Information: | [No.Panggil: 2210411178] [Pembimbing: Azwar] [Penguji 1: Mariana Febiana Christanti] [Penguji 2: Nuril Ashivah Misbah] |
| Uncontrolled Keywords: | Roland Barthes’ semiotics, existentialist feminism, gender representation, patriarchal culture, feminist film studies |
| Subjects: | H Social Sciences > HM Sociology H Social Sciences > HQ The family. Marriage. Woman |
| Divisions: | Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi (S1) |
| Depositing User: | CHERYL ARLINTANG PUTRI SHABILLA |
| Date Deposited: | 30 Mar 2026 08:36 |
| Last Modified: | 31 Mar 2026 01:41 |
| URI: | http://repository.upnvj.ac.id/id/eprint/42088 |
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